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Explore regional food, recipes and traditions shared in LaBouffe by region and topic.

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Relief map of Brazil in its geographic context, with Amazon forest, Sugarloaf Mountain, Salvador architecture, Iguacu Falls, feijoada bean stew, pão de queijo, moqueca fish stew.

Amazonia, the northeast, inland plateaus and coastlines differ greatly. Indigenous, Afro-Brazilian and migrant cultures shape music, crafts and food, from Amazonian fish dishes to coastal stews and the cooking traditions of southern regions. Salvador offers insight into Afro-Brazilian heritage through its architecture, music and food practices. Sugarloaf Mountain marks Rio’s landscape, while Amazonia introduces communities and knowledge connected with forests and rivers. Celebrations and popular arts vary considerably across the regions. Feijoada combines beans and meat in a meal often shared with others; pão de queijo is a cheese-based preparation particularly associated with Minas Gerais. Fish stews called moquecas have different versions along the coast. Cassava, fruit and freshwater fish add further dimensions, especially away from the best-known urban dishes. These specialities reveal cultural encounters as well as local identities, from the northeast to southern regions. Brazil’s food traditions follow distinct environments and histories rather than one uniform national style.

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Recette Recipe

Dishes, preparations and culinary know-how.

10/05/2026 11:37

International

Brazil: My Brazilian Feijoada

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I often turn to cooking when I want to find calm without shutting out the world. In LaBouffe, I rarely talk about a dish at random: I look for a recipe with substance, rhythm, and a real presence. Brazilian feijoada feels more like me than I would have thought. It calls for time, patience, and a certain kind of respect—exactly what I expect from a meal after spending the day listening, adjusting, balancing, as I do in my work as a sound technician. I think of Rio, Copacabana, of that vibrant heat running through the city, and I see a dish that does not rush. It comes together slowly, without ostentation, with quiet confidence. For a traditional Brazilian feijoada, I use black beans, salt pork, pork shoulder or collar, ham hock, smoked pork belly, smoked sausage, a little salted beef if I can find it, garlic, onion, bay leaves, black pepper, and water. I soak the salted meats ahead of time, then desalinate them carefully, because a dish this generous deserves attention. I sauté the onion and garlic, add the pieces of meat, then the rinsed black beans, bay leaves, and enough water to cover. I let it cook gently, for a long time, until the broth becomes rich and the flavours meld without overpowering one another. I adjust the seasoning at the end, never too early, because I prefer to let the dish speak before pushing it. I serve the feijoada with white rice, farofa, garlic-sautéed collard greens, and a few orange wedges. It is this contrast that moves me: the tenderness, the smokiness, the crunch, the light acidity. I find in it a kind of balance that reassures me. It is not a recipe trying to impress; it is a recipe that stands on its own. And perhaps that is why I love it in LaBouffe: it says something simple and solid, without judgment, with enough character to linger around a table and enough gentleness to make you want to stay.

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